Archive

“A Line Wich Forms a Volume 3” fosters collaboration between emergent and established research practices in design

The identity for FIGaia presents poetry in an unconventional and expressive way

ICBQ magazine offers a place for forgotten side projects and rejected proposals

The Exhibition “New Wave” showcases eleven contemporary typefaces by fourteen talented designers

“Unknown Pleasure”: Yuen Hsieh on his collaborative, virtual exhibition

No rules, no borders

Strong contrasts and broken off curves

Publishing in times of information crisis

Welcome to the future of animated, real-life objects

The story of SGABELLO: A functional and minimalistic stool

Designing solid, but smart work

Two heads are better than one!

the personality of custom typefaces

Review of the Year 2019

At the intersection of art and design

In search of typographic solutions

The forces behind the visuality of a “Malleable Identity”

Uniting design, sound and digital technology

Fashion as a voice of the present

The design of the “It’s a book” fair 2018 is between the OLD and the NEW

Poetic and unconventional: Creating images through typography

Finding the best balance between experimentation and legibility

Design as visual exploration of time and space

Learning at the core of every collaboration

Trapped in motion and sound: designing a new electric macrocosmos

Typography as a visualisation of emotions

Experimental club night with captivating visuality

Same research, but different outcome

Keeping an eye on the bigger picture

combining graphic design with musical and cultural roots

That’s how it is. Cestainsi.

“Good communication is key”

Collaborations as a creative playground

Pushing geographical and typographical boundaries

Form follows feelings

Opening the inner Gates

A tribute to vaporwave